FREQUENTLY ASKED QUESTIONS

How did Pendant Productions come to be?

How can I help promote Pendant Productions?

Can I post casting calls for my non-Pendant projects to the Pendant mailing list?

Is there an age limit for directing or acting in a Pendant show?

I would like to help make these awesome pieces of audio goodness. How can I join Pendant Productions?

How can I submit an audition to Pendant Productions?

What is the procedure for recording and sending lines for Pendant Productions?

What microphone and mic technique should I use to record lines?

How do I pitch a show to Pendant Productions?

What format are the Pendant scripts in and what software should I use to write a script?

How do I add line numbers to the dialog in a script?

Can I write a multi-part serial for Seminar?

Who are all the amazingly talented people who work on these shows?

How can I get in touch with Pendant Productions to tell you how totally cool you are?

Why can't I find the new episode of your show in iTunes?

Are the CD-quality versions really that much nicer? And what's BitTorrent?

Well now I'm totally into voice acting and online radio dramas! Give me more, more, more!

What are these triangle numbers and what's the superhero show order?

Why are there no Marvel Comics-based shows? Or Dr. Who? Or...

What's this I hear about awards?

Does Pendant have twitter, tumblr or facebook pages?

When are all these shows coming out, anyway?

HOW DID PENDANT PRODUCTIONS COME TO BE?

In late August of 2004, along with a few close friends and family members, I formed Pendant Productions. Pendant is an audio production group dedicated to making radio dramas like the old radio serials of the '30s and '40s, only modernized for today's audiences.

Think of them as movies without the video feed.

Our first project was based around our mutual love of Star Trek. "Star Trek: Defiant" is a text based story list that I started way back in 1995. And it's still around, too. One of the group members had been doing short radio dramas loosely based on the expansive universe we'd all created together over the course of a decade. Due to creative differences, I was asked by several group members if realizing Defiant in audio was something that I might be able to do myself. I looked into it, and to my surprise, I was able to find enough sound effects and even a decent audio mixing program to make it possible. So we went forward with that project and, despite a bit of a production lag due to circumstances beyond our control (that's life for you), it's now going strong and is one of our most popular fan-based shows.

I've been a huge Superman fan for as long as I can remember. Not long after starting the first Defiant audio, I was able to listen to some of the old Superman radio serials from the 1940s and they were a lot of fun. And then it hit me... we could do Superman audio stories too!

And that's how it all began. Since then we've grown in scope and members farther than I ever thought we would, and we're having a great time doing it.

And so before you sits the fruits of our labor, for your fun and entertainment.

We're always accepting new members, so if you'd like to join us you're more than welcome. All you need is a computer and a microphone. So thanks for stopping by, and let us know what you think!

We hope that you enjoy our artistic audio endeavors, and that we can provide you with some relaxation and entertainment whenever you need it. Thanks for listening!

Jeffrey Bridges
Founder and Executive Producer
Pendant Productions

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HOW CAN I HELP PROMOTE PENDANT PRODUCTIONS?

We have produced a full-color, double-sided promotional flyer to preview our shows. If you would like to ask your local comic/gaming/etc shop if you can leave some there for their customers, that would be fantastic.

If you intend to do that, however, please ASK the people at the shop and get their permission before you leave the flyers. We don't want to get people angry or upset with us, so please respect people's wishes and do NOT leave these anywhere they are not wanted.

Taking some to leave on flyer tables at conventions is also a fine idea.

Download the flyer!

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CAN I POST CASTING CALLS FOR MY NON-PENDANT PROJECTS TO THE PENDANT MAILING LIST?

People have asked if they can post casting calls for their own personal projects (or projects for other companies they are also part of) to the Pendant mailing list. The answer is both yes and no.

Pendant is not and has never been a general voice acting/radio drama group.

We weren't always the size we are now and we used to have to post casting calls outside of our own group. The good news is there are places designed for exactly that, and that's where we started. And that's where you can start, too.

We suggest you try:

The Voice Acting Alliance

Audio Auditions

If you ARE a present member of Pendant and people know you from discussions and roles in our shows, and you would like to post a casting call for your personal project outside of Pendant, please follow these rules:

1. Your subject line must read:
OFF-TOPIC: NON-PENDANT CASTING CALL

Please keep it in all caps, do not add the show title or any other information to the subject line. This will make it easier for people who are not interested in outside casting calls to easily avoid them. Then they don't get upset, I don't have to deal with complaints, and you don't get anyone angry at you.

2. Do not paste your casting call into the body of the email. Simply link to the casting call wherever else it is posted (on the Voice Acting Alliance message boards, etc)

That's all there is to it.

We're a very easygoing bunch of folks and this is basically the ONLY rule we have on our mailing list (other than... hey, be nice to people).

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IS THERE AN AGE LIMIT FOR DIRECTING OR ACTING IN A PENDANT SHOW?

You must be 18 years old to participate in the Pendant director's class or direct a show for us.

You must be 18 years old to act in any Pendant show that is labeled as R-rated. These rating can be seen near the top of any show page, under the newest art.
Currently, our R-rated shows are:
"The Kingery", "The Line", and "Once Upon a Time in Vegas".

Note that Seminar episodes are handled on an episode-by-episode basis. Some episodes may be inappropriate for younger listeners, and will display a notice in the casting call that is for those 18 over only.

These rules are not designed to punish anyone, but to protect the long-term health of Pendant's audio shows and volunteers.

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I WOULD LIKE TO HELP MAKE THESE AWESOME PIECES OF AUDIO GOODNESS. HOW CAN I JOIN PENDANT PRODUCTIONS?

We are always looking for new members. If you're interested in just keeping up with our projects or would like to help out (by auditioning for roles or otherwise), please feel free to stop by our Yahoo group and sign up:

http://groups.yahoo.com/group/pendant

When applying to join, mention that you followed the link from the website. This is so we know you're a real person and can keep spammers out. Thanks!

We're looking for actors, artists, audio mixers and flash animators. If you'd like to help out, please sign up!

If you're interested in auditioning for roles, all you have to do is follow the instructions posted with the casting calls for the roles you'd like to audition for. All auditions are always open to everyone and you can audition for as many roles as you'd like.

Here are some tips on recording lines:

1. You will need a microphone. You can get decent ones for around $10, although many computers seem to come with one type or another these days.

2. You will need a program to record your lines in. Windows Sound Recorder is not a good option.

Audacity is a good program to record your lines in, and it's completely free and is available for both Mac and PC. It doesn't get much better than that.

3. Listen to your lines after recording them. Be sure that you are happy with how they sound and don't be afraid to do them over until you get them the way you want them. Often times I'll record one line four or five times before I get a reading that I'm happy with.

4. Listen for any "breath pops" in the sound file. These are made from your breath hitting the mic and can be next to impossible to remove in the editing process. They most often occur with headsets, where the mic ends up too close to your mouth. If there's a "pop" in the line, you'll need to redo it to get a clean recording. Also try to minimize any echos you might hear and be sure background noise is as ambient as possible (your computer fan is fine, a television or radio, or dog barking is not).

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HOW CAN I SUBMIT AN AUDITION TO PENDANT PRODUCTIONS?

All auditions are always open to everyone and you can audition for as many roles as you'd like.

Please record all auditions in Mp3 files, at 44,100hz, 128kbps. Feel free to include two or three takes in each Mp3 file if you want to try a line in a few different ways: with different emotion, emphasis or accents.

Please send the lines without adding any filters or effects and without doing any noise reduction. Our directors do all that later, so we want to hear what you sound like in a pure recording.

Put your finished lines into one zip file for each character and check individual casting call details for the address to send them to.

Casting call results are announced after the deadline in TWIP: This Week In Pendant and the script will be e-mailed to the new cast members.

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WHAT IS THE PROCEDURE FOR RECORDING AND SENDING LINES FOR PENDANTPRODUCTIONS?

You've been cast in a role, congratulations! Now what?

Pendant has a standard method for recording/sending lines across ALL our shows.

Please record all lines as Mp3 files, at no less than 44,100hz, 128kbps. Include at least two or three takes (but no more than five!) in each Mp3 file. Less takes means the director might not get the inflection they're looking for and you increase your chances of getting asked for redos. More takes means the director has to spend an indordinate amount of time sifting through your lines to find one, and their time is precious and valuable. There should never be an occasion when you send more than five takes (blooper and outtakes are encouraged, however, and feel free to ad-lib but be sure to do at least a couple clean reads of the line EXACTLY as written).

Also do NOT include comments to the writer about the script, conversations with people in the background, or generally anything else that is not the lines themselves and/or actual bloopers. Please remember that EVERYTHING you send has to be sifted through by the director to find the one take they want to use, and so the longer your files are the more work you're making for them. If you have comments for the writer, by all means email them. I'm sure they'd love to hear from you! But they'll never hear it in your line recordings anyway, so let's not waste the director's time!

When you receive your script, you will notice EVERY LINE in the entire script is numbered. This is to make our directors' lives easier. For example, if you're recording a line from a script for episode 6 of "Sample Show!":

015 JANE DOE
You've crossed the wrong person!

You would record between 2-5 different takes of "You've crossed the wrong person!" IN THE SAME FILE. Do NOT put different takes into different mp3 files, that makes more work for the directors.

Also LISTEN TO YOUR LINES before sending them. If there is a lot of background noise, breath pops, etc, re-record them. If you submit lines that are unusable, not only will the director ask for redos but it may hurt your chances of getting future roles and/or you may have to be recast.

DO NOT CLEAN or otherwise process your lines, we need you to turn in your raw recordings.

Please leave a second or two of silence in the file with each line so the director has an ample sample of your background noise for filtering.

When saving your file, name them in the following manner:

Line# CharacterName.mp3

For the above example, the file with ALL takes of the line would be named

015janedoe.mp3

Please use THREE DIGIT numbers, not two, so we can be consistent for all our directors. Also, and this is vital, please be sure the line number comes BEFORE the character name! With all the line numbers on the left, the files line up nicely to make life easy for our directors. If you put the line number at the end of the file name it does them no good and they end up having to rename all your files. More work for our directors equals (rightfully) cranky directors, and you want to keep your directors happy!

Use the same method to record all of your lines in a given script, and then put them all into a zip or rar file. Some email has a maximum filesize allotment. If your zip/rar file is too large to attach, it's fine to make multiple zip files and send them with one per message.

Please do not use download services such as yousendit or mediafire for lines! Just send them directly in email.

Attach the zip or rar file(s) to an email(s) and send it to:

pendantlines@gmail.com

ALL LINES FOR ALL PENDANT SHOWS GO TO THE SAME EMAIL ADDRESS.

The subject line of your email should be written in the following manner:

Show Episode# CharacterName YourName

Following our above example, the subject line here would read:

Sample Show! 6 Jane Doe Pendant Lover

Where "Pendant Lover" is your name. You're a Pendant Lover, right? Of course you are.

If you must send multiple emails with multiple zip/rar files, be sure to add "Part X of Y" in the subject line, and add that
information to the zip/rar filename as well. For example:

Sample6JaneDoePart1of2.zip

You will be given a deadline for your lines, almost always a MONTH away from when you get the script. It is VITAL you meet your deadlines. Missing lines means a director can't assemble any scenes you're in, which puts them behind on work, which puts the entire show behind. And when that stacks up you can get entire shows in danger of missing their release dates.

PLEASE be aware that there are a whole host of people (directors, producers, web staff, promo staff, et al) who all have a lot of work to do that depends on ACTORS being on time. Be conscious of others and that every day you're late you cause problems for them and for the entire show. We understand sometimes people get sick, life happens, etc. We are not unkind or uncaring. Really!

But communication is vital. You MUST let pendantlines know if you need more time. Do not sit in silence and line reminders and requests for lines go unanswered. Respond and keep in contact with pendantlines at all times and everything should be hunky-dory.

Lack of communication as deadlines pass with no lines turned in may result in your role being recast and given to someone else.

Remember that if you meet your deadlines, directors will know you're talented AND reliable. And if a casting decision comes down to two equally talented people who would fit the character very well but one has a track record of misnamed files, breath pops or, above all, severely (and/or repeated) missed deadlines... the reliable, professional actor will win out every time.

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WHAT MICROPHONE AND MIC TECHNIQUE SHOULD I USE TO RECORD LINES?

We don't demand that anyone use a particular microphone, as budgets and equipment availability are different for everyone. However, when the actors and directors of Pendant are polled, a few microphones repeatedly get positive mentions.

The Blue Snowball is widely used and highly recommended by the Pendant creatives. As an alternative, the Logitech Desktop USB mic delivers adequate sound. We recommend against headset mics, as they're more likely to pick up a sibilant S, a popped P or unwanted breathing, etc.

If your mic (like the Snowball) offers multiple settings, be sure to put it on unidirectional to cut down any echo. If you're still getting a lot of echo, be sure you're not facing any large, flat surfaces (walls, computer monitors, etc) that might reflect the sound back to the mic. Try putting blankets or pillows behind the mic to further cut down any echo. Many people find putting socks over their mics makes for an excellent pop filter, etc. Although, depending on your voice a sock may not be enough to catch all the essplosives, popping P's and so forth.

What helps even more is not speaking directly into the mic. Instead, speak over the mic, so your breath isn't directed towards where sound is received. (Place the mic under your chin a bit.)

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HOW DO I PITCH A SHOW TO PENDANT PRODUCTIONS?

Before pitching a show, it's best to become familiar with writing for
Pendant via our anthology show Seminar.
Details on writing for Seminar are here:
http://pendantaudio.com/seminar.php#submit

We are most interested in doing original shows, and after that
extending our Pendant D.C Universe, but will fairly consider all
pitches based on their merits.

Note that the person who pitches the show is expected to helm it.

Please make sure that it's not a show that we are already doing or
that might be automatically rejected.
A list of the shows we won't do is here:
http://pendantaudio.com/seminar.php#marvel

The same process is used for pitching an ongoing show and for pitching
a limited-run serial/feature.

The following comments are from Pendant's Executive Producer, Jeffrey Bridges:

"To pitch me a show, first simply pitch me the basic idea in a sentence
or two. There's no sense in going into a full pitch if it's something
I'll pass on right off the bat."

"If I'm intrigued/think it's a good fit for Pendant, I'll ask for a full
pitch (characters and info., the full story, etc). At that point I may
accept it, ask for changes, discuss problems or pass on it. If it gets
accepted at any point, then I ask for a pilot script."

"The pilot script may get accepted, I may ask for changes, discuss problems, pass on
it, etc. If *that* gets accepted, then we start talking about future
scripts, a director and work on putting the show into production."

"It's a lengthy process, but it works. :)"

Email your pitch to jeffrey@pendantaudio.com

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WHAT FORMAT ARE THE PENDANT SCRIPTS IN AND WHAT SOFTWARE SHOULD I USE TO WRITE A SCRIPT?

All Pendant scripts are in Hollywood Screenplay format. We add line numbers for the dialog (and only the dialog). You can see a sample Pendant script here:
"The Kingery", episode 3x12

Also be sure to check out the information on how to submit to our original anthology show, "Seminar".

Bruce Campbell has a simple and clear explanation of screenwriting and screenplay formatting on his site here:
Shun Society, Be a Screenwriter

In this format, one page generally equals one minute of finished audio. This helps everyone involved gauge how long a scene or show will be.

Bernadette Groves, Editor of Seminar, has done a series of videos to help with script formatting.
1. Scene Headings
2. SFX Lines
3. Character Name and Dialogue
4. Transitions
5. Numbering
6. Submitting Your Script
7. Celtx tutorial

The writers at Pendant use a variety of different software. There isn't a single correct choice. All that matters is that your final script appears correct.

For professional software, there's Movie Magic Screenwriter and Final Draft. Both of these applications run on Macs and PCs, although we suggest Screenwriter on the Mac and Final Draft on Windows. Both of these apps run about $150, however they provide the easiest and least painful experiences.
You can visit their sites here:
Movie Magic Screenwriter
Final Draft

If you like writing in Microsoft Word, both Microsoft and the BBC have screenplay templates that you can use. The BBC template, called ScriptSmart, is hosted at the BBC Writer's Room, which hosts a treasure trove of info on all sorts of writing.
Visit them here:
MS Screenplay Template
BBC writersroom

Pages, a part of Apple's iWork comes with a built-in Screenplay template.
More info is here:
iWork - Pages

Finally, there is one free choice in screenwriting software. Celtx runs on OS X, Windows, and Linux.
A very important note: Celtx has multiple script formats. If you are writing for Pendant, you need to use the "Film" format, and NOT the "Audio Play" format.
More info here:
Celtx

Pendant now also has a group set up for writers to get feedback on their scripts before submitting them to "Seminar" or before pitching new show ideas to the executive producer. Review and discussion of peer scripts is encouraged. You can join it here:
Pendant Write Club

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HOW DO I ADD LINE NUMBERS TO THE DIALOG IN A SCRIPT?

In Movie Magic Screenwriter:
Open the "Production" menu, then the "Animation Locking" sub-menu, and select "Lock Dialogue Numbering".
Now, when you add and remove dialog, Screenwriter will automatically update the numbering.

In Final Draft:
Go to Production > Scene Numbers
     On the "Numbers" tab:
          Check the "Add Numbers" box
          In the "Element" drop-down box, select "Character".
     On the "Options" tab:
          Uncheck the "Show numbers on right" box.
     Click "OK".

In Microsoft Word:
Insert > Field > AutoNum (or AutoLegalNum)
Do that for the first one, bold it, then select it and ctrl-c, then ctrl-v your way down the script.
This method has the advantage of automatically adjusting the numbering if you add or delete a line.

In Celtx:
Line numbering must be done by hand.
A very important note: Celtx has multiple script formats. If you are writing for Pendant, you need to use the "Film" format, and NOT the "Audio Play" format.

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CAN I WRITE A MULTI-PART SERIAL FOR SEMINAR?

No.
We'd like each story in Seminar to stand alone.

If you write multiple stories with characters that recur, this is OK as long as each script is self-contained and doesn't require the listener to have heard any other episodes.

In short, a self-contained sequel or prequel is allowed, but not mini-serials.

If you have a multi-episode story, it would be better to pitch it to our executive producer than attempt to fit it into Seminar.
Information for pitching is in this FAQ:
http://pendantaudio.com/faq.php#pitch

There is an exception for two-part stories if you submit both scripts at the same time, as these can be placed into the same episode of Seminar.

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WHO ARE ALL THE AMAZINGLY TALENTED PEOPLE WHO WORK ON THESE SHOWS?

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HOW CAN I GET IN TOUCH WITH PENDANT PRODUCTIONS TO TELL YOU HOW TOTALLY COOL YOU ARE?

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WHY CAN'T I FIND THE NEW EPISODE OF YOUR SHOW IN ITUNES?

The Pendant site is updated every time we have new episodes.
This means changing the web pages and updating the podcast feed
so that iTunes can download the show.

If you see an announcement on the home page, like these,
TOP NEWS:
07/14/2010 - Issue 23 of the Catwoman: Queen of Thieves podcast is live!
07/14/2010 - Issue 54 of the Batman: The Ace of Detectives podcast is live!

Then, everything has been checked and confirmed,
and the episodes are ready to download into iTunes.

Now, here's where things get a bit murky...

On the left-hand side of iTunes, there's a list of "containers."
The top container is Music, and then a few down is Podcasts.
Here, in the Podcasts container is where the episodes are available immediately.

If you click on the Podcasts container,
and then click the "Refresh" button in the lower right corner,
iTunes will grab all of your new podcasts.

Again, this is verified to be working BEFORE any announcement is made.

iTunes also has another container, labeled "iTunes Store."
Please, think of the iTunes Store as something completely separate
from the rest of iTunes (as it really is).

All of our Pendant shows are in the iTunes Store.
However, It can take a day for a new episode to appear in the iTunes Store.

So, again, BIG difference between the Podcasts container in iTunes
(which is working and ready before anyone is alerted),
and the iTunes Store, which updates when Apple gets around to it.

One further point on this.
If you are on an iOS device (iPhone, iPod Touch, iPad, etc.),
and you click the link to "Get More Episodes" of a podcast,
this does NOT refresh the podcast feed.
It takes you to the iTunes Store (so you'll be hit by Apple's delay).
Sorry, but we can't fix that.
You can go to http://PendantAudio.com
in Safari on your iOS device, and listen to the episode from the show's page.

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ARE THE CD-QUALITY VERIONS REALLY THAT MUCH NICER?

There is quite a large difference between the CD-quality master versions of our productions and the web-quality versions we make available for mass download.

So why do we make different versions?

Not all of our listeners have broadband. Without broadband, many of the CD-Quality master versions would be prohibitively large for people on dial-up. Trying to get a 20Mb file on a connection of that speed would be frustrating and close to impossible, and we want to make our shows accessible to everyone.

So just how much better do the CD-quality master versions sound? Take a listen to these two short clips prepared from the end scene of "Superman: The Last Son of Krypton" issue 12.

As you can hear for yourself, there's quite the difference! The master clip is much more crisp, clean and full of a lot of detail that's lost due to the compression for the web version.

So how can you get the CD-quality versions?

We'll be releasing bundles of episodes from time to time via Zip files, usually a short while after a particular season has ended.

Presently we have THIRTY-SIX CD-Quality collections available:

Superman: The Last Son of Krypton, Master Pack 1 (issues 1-12 collected)
Superman: The Last Son of Krypton, Master Pack 2 (issues 13-24 collected)
Superman: The Last Son of Krypton, Master Pack 3 (issues 28-41 collected)
Superman: The Last Son of Krypton, Master Pack 4 (issues 44-54 collected)
Superman: The Last Son of Krypton, Master Pack 5 (issues 57-70 collected)
Batman: The Ace of Detectives, Master Pack 1 (issues 1-12 collected)
Batman: The Ace of Detectives, Master Pack 2 (issues 16-28 collected)
Batman: The Ace of Detectives, Master Pack 3 (issues 31-42 collected)
Batman: The Ace of Detectives, Master Pack 4 (issues 45-58 collected)
Wonder Woman: Champion of Themyscira, Master Pack 1 (issues 1-12 collected)
Wonder Woman: Champion of Themyscira, Master Pack 2 (issues 16-28 collected)
Wonder Woman: Champion of Themyscira, Master Pack 3 (issues 31-41 collected)
Wonder Woman: Champion of Themyscira, Master Pack 4 (issues 44-58 collected)
Supergirl: Lost Daughter of Krypton, Master Pack 1 (issues 1-13 collected)
Supergirl: Lost Daughter of Krypton, Master Pack 2 (issues 16-26 collected)
Supergirl: Lost Daughter of Krypton, Master Pack 3 (issues 29-42 collected)
Catwoman: Queen of Thieves, Master Pack 1 (issues 1-11 collected)
Catwoman: Queen of Thieves, Master Pack 2 (issues 14-27 collected)
Martian Manhunter: Strange Visitor, Master Pack 1 (issues 1-4 collected)
IMPERIUM crossover, Master Pack (issues 1-9 collected)
VINDICATUM crossover, Master Pack (issues 1-8 collected)
EX TEMPUS crossover, Master Pack (issues 1-12 collected)
INSOLITUS crossover, Master Pack (issues 1-10 collected)
Star Trek: Defiant , Master Pack 1 (episodes 1-13 collected)
Star Trek: Defiant , Master Pack 2 (episodes 14-26 collected)
Star Trek: Defiant , Master Pack 3 (episodes 27-39 collected)
Star Trek: Defiant , Master Pack 4 (episodes 40-50 collected)
Star Wars: Blue Harvest, Master Pack 1 (episodes 1-12 collected)
Star Wars: Blue Harvest, Master Pack 2 (episodes 13-24 collected)
Star Wars: Blue Harvest, Master Pack 3 (episodes 25-36 collected)
James Bond: To The End, the complete feature (episodes 1-7 joined)
Indiana Jones and the Well of Life, the complete feature (episodes 1-9 joined)
Seminar, Master Pack 1 (episodes 1-12 collected)
Seminar, Master Pack 2 (episodes 13-24 collected)
Seminar, Master Pack 3 (episodes 25-30 collected)
Seminar, Master Pack 4 (episodes 31-36 collected)

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WELL NOW I'M TOTALLY INTO VOICE ACTING AND ONLINE RADIO DRAMAS! GIVE ME MORE, MORE, MORE!

LINK TO US

AFFILIATES

LINKS

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WHAT ARE THESE TRIANGLE NUMBERS AND WHAT'S THE SUPERHERO SHOW ORDER?

All cover art for our superhero shows contains a triangle with two sets of numbers inside it. Have a look here:

Click here for full-size

The triangle in question is on the right side of the cover, just below the title. What the heck is that?

This was a technique employed in the '90s and into the early 2000s in Superman comics. Back then, the books had a tightly-knit continuity and the story continued from one comic book (say, "Action Comics") to the next (say, "Adventures of Superman"). These numbers let you know what order to read the books in to follow the overall story.

We here at Pendant are continuity nuts, and so this was something I immediately jumped on once we had artists willing to do covers for us. In the above image, the "2007" in the triangle is easy enough to figure out, that's quite obviously the year of release.

The "27" in the triangle means that, taken as a whole story with a tight continuity throughout all Pendant superhero shows, that episode ("Superman: The Last Son of Krypton" issue 32) was the 27th part of the ongoing story for that year. When the next year rolls around, the "2007" becomes "2008", the other number resets to "1" with the first superhero show to debut that year and we keep rolling onward.

In this method you know exactly what order to listen to all of the superhero shows in should you want to get the full picture of Pendant continuity.

Unfortunately, not all episodes have cover art, so included below is a list of all episodes of all superhero shows, in order of continuity, for your edification.

Superman: The Last Son of Krypton issue 1
Superman: The Last Son of Krypton issue 2
Superman: The Last Son of Krypton issue 3
Superman: The Last Son of Krypton issue 4
Superman: The Last Son of Krypton issue 5
Superman: The Last Son of Krypton issue 6
Superman: The Last Son of Krypton issue 7
Superman: The Last Son of Krypton issue 8
Superman: The Last Son of Krypton issue 9
Superman: The Last Son of Krypton issue 10
Superman: The Last Son of Krypton issue 11
Superman: The Last Son of Krypton issue 12
Superman: The Last Son of Krypton issue 13
Batman: The Ace of Detectives issue 1
Wonder Woman: Champion of Themyscira issue 1
Superman: The Last Son of Krypton issue 14
Batman: The Ace of Detectives issue 2
Wonder Woman: Champion of Themyscira issue 2
Superman: The Last Son of Krypton issue 15
Batman: The Ace of Detectives issue 3
Wonder Woman: Champion of Themyscira issue 3
Superman: The Last Son of Krypton issue 16
Batman: The Ace of Detectives issue 4
Wonder Woman: Champion of Themyscira issue 4
Superman: The Last Son of Krypton issue 17
Batman: The Ace of Detectives issue 5
Wonder Woman: Champion of Themyscira issue 5
Superman: The Last Son of Krypton issue 18
Batman: The Ace of Detectives issue 6
Wonder Woman: Champion of Themyscira issue 6
Superman: The Last Son of Krypton issue 19
Batman: The Ace of Detectives issue 7
Wonder Woman: Champion of Themyscira issue 7
Superman: The Last Son of Krypton issue 20
Batman: The Ace of Detectives issue 8
Wonder Woman: Champion of Themyscira issue 8
Superman: The Last Son of Krypton issue 21
Batman: The Ace of Detectives issue 9
Wonder Woman: Champion of Themyscira issue 9
Superman: The Last Son of Krypton issue 22
Batman: The Ace of Detectives issue 10
Wonder Woman: Champion of Themyscira issue 10
Superman: The Last Son of Krypton issue 23
Batman: The Ace of Detectives issue 11
Wonder Woman: Champion of Themyscira issue 11
Superman: The Last Son of Krypton issue 24
Batman: The Ace of Detectives issue 12
Wonder Woman: Champion of Themyscira issue 12
Superman: The Last Son of Krypton issue 25 (Imperium 1)
Batman: The Ace of Detectives issue 13 (Imperium 2)
Wonder Woman: Champion of Themyscira issue 13 (Imperium 3)
Superman: The Last Son of Krypton issue 26 (Imperium 4)
Batman: The Ace of Detectives issue 14 (Imperium 5)
Wonder Woman: Champion of Themyscira issue 14 (Imperium 6)
Superman: The Last Son of Krypton issue 27 (Imperium 7)
Batman: The Ace of Detectives issue 15 (Imperium 8)
Wonder Woman: Champion of Themyscira issue 15 (Imperium 9)
Superman: The Last Son of Krypton issue 28
Batman: The Ace of Detectives issue 16
Wonder Woman: Champion of Themyscira issue 16
Superman: The Last Son of Krypton issue 29
Supergirl: Lost Daughter of Krypton issue 1
Batman: The Ace of Detectives issue 17
Wonder Woman: Champion of Themyscira issue 17
Superman: The Last Son of Krypton issue 30
Supergirl: Lost Daughter of Krypton issue 2
Batman: The Ace of Detectives issue 18
Wonder Woman: Champion of Themyscira issue 18
Superman: The Last Son of Krypton issue 31
Supergirl: Lost Daughter of Krypton issue 3
Batman: The Ace of Detectives issue 19
Wonder Woman: Champion of Themyscira issue 19
Superman: The Last Son of Krypton issue 32
Supergirl: Lost Daughter of Krypton issue 4
Batman: The Ace of Detectives issue 20
Wonder Woman: Champion of Themyscira issue 20
Superman: The Last Son of Krypton issue 33
Supergirl: Lost Daughter of Krypton issue 5
Batman: The Ace of Detectives issue 21
Wonder Woman: Champion of Themyscira issue 21
Superman: The Last Son of Krypton issue 34
Supergirl: Lost Daughter of Krypton issue 6
Batman: The Ace of Detectives issue 22
Wonder Woman: Champion of Themyscira issue 22
Superman: The Last Son of Krypton issue 35
Supergirl: Lost Daughter of Krypton issue 7
Batman: The Ace of Detectives issue 23
Wonder Woman: Champion of Themyscira issue 23
Superman: The Last Son of Krypton issue 36
Supergirl: Lost Daughter of Krypton issue 8
Batman: The Ace of Detectives issue 24
Wonder Woman: Champion of Themyscira issue 24
Superman: The Last Son of Krypton issue 37
Supergirl: Lost Daughter of Krypton issue 9
Batman: The Ace of Detectives issue 25
Wonder Woman: Champion of Themyscira issue 25
Superman: The Last Son of Krypton issue 38
Supergirl: Lost Daughter of Krypton issue 10
Batman: The Ace of Detectives issue 26
Wonder Woman: Champion of Themyscira issue 26
Superman: The Last Son of Krypton issue 39
Supergirl: Lost Daughter of Krypton issue 11
Batman: The Ace of Detectives issue 27
Wonder Woman: Champion of Themyscira issue 27

That's a whole lot o' continuity, ain't it?

This list will be updated periodically, but the general rule of thumb for future episodes is that continuity follows chronological order of premiere dates.

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WHY ARE THERE NO MARVEL-COMICS BASED SHOWS? OR DR. WHO? OR...

Because we are busy, busy people. The fast answer is we do the projects we are most interested in (which is obvious if you think about it), and INSERT YOUR SHOW OF CHOICE is perhaps not among them.

The ones that come up most often, and the explanations for why we do not have fan shows based on them, are:

Why no Marvel Comics shows?
Any Marvel shows we created would detract from our ever growing and expanding "Earth P" continuity we've been building since 2004 with our DC-based fan shows. If we're going to do superhero fan shows, we would rather add to our continuity and expand our universe than start up an entirely new one. And no, combining the two is out of the question for many reasons. Universes shall stay separate.

Why no Dr. Who show?
There are already a literal ton of Dr. Who radio dramas (official and otherwise). Yes, there are also a ton of Star Trek radio dramas, and we have "Star Trek: Defiant", but Defiant was a text story list started in 1995 and I would challenge you to find one continuous story and continuity in any of those other Trek shows that were around before that. Defiant is the granddaddy of them all.

Why no Buffy/Angel/Firefly/OMG DON'T YOU LOVE JOSS WHEDON show?
Other people are doing them already. Go listen.

What it ultimately boils down to is we work on the shows that interest us. If we worked on shows we didn't want to work on, you don't suspect we'd work on them for very long, do you? We understand you want to see your favorite universe or fandom brought to life monthly via Pendant Productions and, yes, that is flattering. Thank you. We're glad you like us enough to want that.

But realize every single episode of every single show is the end result of 40+ combined hours of work from dozens and dozens of people. These are not easy or quick to produce.

If you're really dying to see a Captain Caveman radio drama podcast and you pitch it to us and we pass, well... you can always produce it yourself!

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WHAT'S THIS I HEAR ABOUT AWARDS?

Outside Awards

	Pendant shows "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater", "This Week in Pendant" and "Pendant: Backstage" were finalists in the Best Speculative Fiction Audio Drama (Short Form) and Best Speculative Fiction Fan or News Podcast (Specific) categories of the 2011 Parsec Awards!
	Pendant show "Batman: The Ace of Detectives" was a finalist in the Best Speculative Fiction Audio Drama (Short Form) category of the 2010 Parsec Awards!

Winner of Best Star Trek Audio Series of 2009 Star Trek: Defiant

	Pendant show "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" was a finalist in the Best Audio Drama Short Form category of the 2009 Parsec Awards!
	Pendant show "Once Upon a Time in Vegas" was a finalist in the Best Audio Drama Long Form category of the 2008 Parsec Awards!
	Pendant shows "Indiana Jones and the Well of Life" and "Batman: The Ace of Detectives" were both finalists in the Best Audio Drama Short Form category of the 2007 Parsec Awards!

The Pendy Awards

In 2006 the Pendy Awards were created to recognize outstanding excellence in Pendant productions.
The awards are held annually and are voted upon by writers, directors, actors, artists, producers and listeners!

2010 Pendy Winners: Best Comic Relief in a Pendant Production Jeffrey Bridges as Metallo in "Supergirl: Lost Daughter of Krypton" Sexiest Female Voice in a Pendant Production Mindy Rast-Keenan as Poison Ivy in "Batman: The Ace of Detectives" Sexiest Male Voice in a Pendant Production Tom Stitzer as Ares in "Wonder Woman: Champion of Themyscira" Best Hero in a Pendant Production Rene Christine Jones as Dixie Stenberg in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Villain in a Pendant Production Steve Anderson as Reginald Billingsley in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Cover Artist for a Pendant Production Jerry Gaylord for "Superman: The Last Son of Krypton" Best Musical Performance in a Pendant Production Kristen Bays as the Umket Triplets in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Actor in a Seminar short Bernadette Groves as Woman in "Moment" Best Writing in a Seminar short Brian Martinez Oldham for "Time's Quartet Pt. 4" Best Seminar short "Moment" by Marleigh Norton Best Supporting Actor in "Superman: The Last Son of Krypton" Megan Pressley as Lara Lane Best Supporting Actor in "Batman: The Ace of Detectives" Christopher Stadther as Jason Todd Best Supporting Actor in "Wonder Woman: Champion of Themyscira" Kathryn Pryde as Wonder Girl Best Supporting Actor in "Supergirl: Lost Daughter of Krypton" Jeffrey Bridges as Metallo Best Supporting Actor in "Catwoman: Queen of Thieves" Ashwath Ganesan as Black Mask Best Supporting Actor in "Star Trek: Defiant" Kim Gianopoulos as Tru'un Best Supporting Actor in "Star Wars: Blue Harvest" Bill Young as General Grievous Best Supporting Actor in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" M Sieiro Garcia as Miss Fortune Divine Best Supporting Actor in "The Kingery" Perry Whittle as Hooks Best Supporting Actor in "Once Upon a Time in Vegas" Susan Bridges as Teri Best Supporting Actor in "Genesis Avalon" David Ault as Exodus Avalon Best Supporting Actor in "Red Sands Investigations" Michael Hudson as Nick Flint Best Supporting Actor in "The Line" Colin Kelly as the Demon Best Original Music in a Pendant Production Saffron for the theme to "Red Sands Investigations" Best Lead Actor in a Pendant Production Rene Christine Jones as Dixie Stenberg in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Direction in a Pendant Production Jared Page for "Superman: The Last Son of Krypton" Best Writing in a Pendant Production Jeffrey Bridges for "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Pendant Production Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater Executive Producer's Award for Outstanding Service to Pendant Productions Kristen Bays

2009 Pendy Winners: Best Comic Relief in a Pendant Production David Ault and Philip Weber as SCAR Troopers in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Sexiest Female Voice in a Pendant Production Mindy Rast-Keenan as Poison Ivy in "Batman: The Ace of Detectives" Sexiest Male Voice in a Pendant Production Tom Stitzer as Ares in "Wonder Woman: Champion of Themyscira" Best Hero in a Pendant Production Seth Adam Sher as Batman in "Batman: The Ace of Detectives" Best Villain in a Pendant Production Philip Weber as General Zod in "Superman: The Last Son of Krypton" Best Cover Artist for a Pendant Production Paul Leclerc for "Catwoman: Queen of Thieves" Best Musical Performance in a Pendant Production Kristen Bays as the Umket Triplets in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Actor in a Seminar short Fiona Thraille as Lady Grey in "Tea and Terrorism" Best Writing in a Seminar short Brian Martinez Oldham for "Time's Quartet" Best Seminar short "Tea and Terrorism" by Marleigh Norton Best Supporting Actor in "The Tempest" Kim Gianopoulos as Miranda Best Supporting Actor in "Superman: The Last Son of Krypton" Susan Bridges as Lois Lane Best Supporting Actor in "Batman: The Ace of Detectives" Mindy Rast-Keenan as Poison Ivy Best Supporting Actor in "Wonder Woman: Champion of Themyscira" Kathryn Pryde as Wonder Girl Best Supporting Actor in "Supergirl: Lost Daughter of Krypton" Jeffrey Bridges as Metallo Best Supporting Actor in "Catwoman: Queen of Thieves" Ashwath Ganesan as Black Mask Best Supporting Actor in "Martian Manhunter: Strange Visitor" R. Francis Smith as Alan Scott Best Supporting Actor in "Star Trek: Defiant" David Ault as Holubiak Best Supporting Actor in "Star Wars: Blue Harvest" Bill Young as Darth Vader Best Supporting Actor in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Pete Milan as Freudenberg Best Supporting Actor in "The Kingery" M Sieiro Garcia as Major Best Supporting Actor in "Once Upon a Time in Vegas" Susan Bridges as Teri Best Original Music in a Pendant Production Brian Martinez Oldham for the Captain's piano performance in "Star Trek: Defiant" Best Lead Actor in a Pendant Production Darian Lindle as Wonder Woman in "Wonder Woman: Champion of Themyscira" Best Direction in a Pendant Production Seth Adam Sher for "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Writing in a Pendant Production Pete Milan for "Batman: The Ace of Detectives" Best Pendant Production Batman: The Ace of Detectives Executive Producer's Award for Outstanding Service to Pendant Productions Brian Martinez Oldham

2008 Pendy Winners: Best Comic Relief in a Pendant Production Neal Bailey as Dr. Anderson in "Superman: The Last Son of Krypton" Sexiest Female Voice in a Pendant Production Lexy Rawle as Catwoman in "Catwoman: Queen of Thieves" Sexiest Male Voice in a Pendant Production Tom Stitzer as Ares in "Wonder Woman: Champion of Themyscira" Best Hero in a Pendant Production Seth Adam Sher as Batman in "Batman: The Ace of Detectives" Best Villain in a Pendant Production Adam Bell as The Joker in "Batman: The Ace of Detectives" Best Cover Artist for a Pendant Production Julie Lindsey for "Once Upon a Time in Vegas" Best Musical Performance in a Pendant Production Kristen Bays as the Umket Triplets in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Actor in a Seminar short James Rossi as Jacob in "Spaced Out" Best Writing in a Seminar short Mike Winters for "Detective Mac" Best Seminar short Mike Winters for "Detective Mac" Best Performance of a Sonnet in "The Pendant Shakespeare" David Ault Best Actor in "A Midsummer Night's Dream" Kathryn Pryde as Helena Best Supporting Actor in "Superman: The Last Son of Krypton" M Sieiro Garcia as Bobbi Havner Best Supporting Actor in "Batman: The Ace of Detectives" Adam Bell as The Joker Best Supporting Actor in "Wonder Woman: Champion of Themyscira" Kathryn Pryde as Wonder Girl Best Supporting Actor in "Supergirl: Lost Daughter of Krypton" Jeffrey Bridges as Metallo Best Supporting Actor in "Catwoman: Queen of Thieves" Kathryn Pryde as Tsarina Best Supporting Actor in "Star Trek: Defiant" Pete Milan as Gul Otek Best Supporting Actor in "Star Wars: Blue Harvest" Scott Vinnacombe as Palpatine Best Supporting Actor in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Amanda Fitzwater as Nebulon Best Supporting Actor in "The Kingery" Perry Whittle as Hooks Best Supporting Actor in "Once Upon a Time in Vegas" Lexy Rawle as Chloe Best Original Music in a Pendant Production Kevin McLeod for "The Fairy Tale Waltz" ("Once Upon a Time in Vegas" theme) Best Lead Actor in a Pendant Production Pete Milan as Tommy Arkell in "The Kingery" Best Direction in a Pendant Production Seth Adam Sher for "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Writing in a Pendant Production Neal Bailey, Jeffrey Bridges, Susan Bridges, Theresa J. McGarry, Pete Milan, Alicia Laine Matheson and Seth Adam Sher for "The Kingery" Best Pendant Production Once Upon a Time in Vegas

2007 Pendy Winners: Best Comic Relief in a Pendant Production David Ault and Philip Weber as the SCAR troopers in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Sexiest Voice in a Pendant Production Alicia Laine Matheson as Lily LaRue in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Hero in a Pendant Production Seth Adam Sher as Batman in "Batman: The Ace of Detectives" Best Villain in a Pendant Production Adam Bell as The Joker in "Batman: The Ace of Detectives" Best Cover Artist for a Pendant Production Nick Hadley for "The Kingery" Best Musical Performance in a Pendant Production Kristen Bays as the Umket Triplets in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Original Music in a Pendant Production David Alexander McDonald for "The Kingery Main Theme" Best Actor in a Seminar short Philip Weber as Detective Mac in "Detective Mac" Best Writing in a Seminar short Alicia Laine Matheson and Rene Christine Jones for "Don't Come Back Until I Have a Penis" Best Seminar short Mike Winters for "Detective Mac" Best Supporting Actor in "Superman: The Last Son of Krypton" Susan Bridges as Lois Lane Best Supporting Actor in "Batman: The Ace of Detectives" Adam Bell as The Joker Best Supporting Actor in "Wonder Woman: Champion of Themyscira" Kathryn Pryde as Wonder Girl Best Supporting Actor in "Supergirl: Lost Daughter of Krypton" Jeffrey Bridges as Metallo Best Supporting Actor in "Star Trek: Defiant" Pete Milan as Gul Otek Best Supporting Actor in "Indiana Jones and the Well of Life" David Ault as Marcus Brody Best Supporting Actor in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Steve Anderson as Reginald Billingsley Best Supporting Actor in "The Kingery" Perry Whittle as Hooks Best Supporting Actor in "Once Upon a Time in Vegas" Susan Bridges as Teri Best Lead Actor in a Pendant Production Seth Adam Sher as Batman in "Batman: The Ace of Detectives" Best Direction in a Pendant Production Tom Stitzer for "Superman: The Last Son of Krypton" Best Writing in a Pendant Production Jeffrey Bridges, Susan Bridges, Macalla Eaton, Theresa J. McGarry and Seth Adam Sher for "The Kingery" Best Pendant Production "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater"

2006 Pendy Winners: Best Comic Relief in a Pendant Production Neal Bailey as Dr. Anderson in "Superman: The Last Son of Krypton" Sexiest Voice in a Pendant Production Julie Goldstein as Parasite in "Superman: The Last Son of Krypton" Best Hero in a Pendant Production Ryan H. Nelson as Superman in "Superman: The Last Son of Krypton" Best Villain in a Pendant Production Adam Bell as The Joker in "Batman: The Ace of Detectives" Best Supporting Actor in "Superman: The Last Son of Krypton" Susan Bridges as Lois Lane Best Supporting Actor in "Batman: The Ace of Detectives" Adam Bell as The Joker Best Supporting Actor in "Wonder Woman: Champion of Themyscira" Tom Stitzer as Ares Best Supporting Actor in "Star Trek: Defiant" Pete Milan as Gul Otek Best Supporting Actor in "James Bond: To The End" Clover Watson as M Best Supporting Actor in "Indiana Jones and the Well of Life" Lexy Rawle as Marion Ravenwood Best Supporting Actor in "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Shannon Gaffney as Frank McGuff Best Direction in a Pendant Production Tom Stitzer for "Indiana Jones and the Well of Life" Best Writing in a Pendant Production Jeffrey Bridges for "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater" Best Lead Actor in a Pendant Production Jerry Scullion as Indiana Jones Best Pendant Production "Umket Industries Presents: The Dixie Stenberg and Brassy Battalion Adventure Theater"

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DOES PENDANT HAVE TWITTER, TUMBLR OR FACEBOOK PAGES?

The updates to the Pendant Productions web site are chronicled via Twitter:

http://twitter.com/pendantweb

You can become a fan of Pendant Productions on Facebook:

http://www.facebook.com/pendantaudio

http://pendantaudio.tumblr.com

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TENTATIVE PROGRAM RELEASE SCHEDULE:
(dates subject to change, TWIP and PBS not included)

JUL 6
Defiant 58

JUL 13
Batman 66, Catwoman 35

JUL 18
Line 2x04

JUL 20
Wonder Woman 66, Green Arrow 6

JUL 22
Seminar 40

JUL 25
Genesis Avalon 22

JUL 27
Superman 79, Supergirl 51

AUG 10
Defiant 59

AUG 17
Batman 67, Catwoman 36

AUG 22
Line 2x05

AUG 24
Wonder Woman 67, Green Arrow 7

AUG 29
Genesis Avalon 23

AUG 31
Superman 80, Supergirl 52

SEP 2
Kingery 5x01

SEP 7
Defiant 60

SEP 14
Batman 68, Catwoman 37

SEP 19
Line 2x06

SEP 21
Wonder Woman 68, Green Arrow 8

SEP 23
Seminar 41

SEP 26
Genesis Avalon 24

SEP 28
Superman 81, Supergirl 53

SEP 30
Kingery 5x02

OCT 5
(Defiant off-month)

OCT 12
Batman 69, Catwoman 38

OCT 17
Line 2x07

OCT 19
Wonder Woman 69, Green Arrow 9

OCT 24
(Genesis Avalon off-month)

OCT 26
Superman 82, Supergirl 54

OCT 28
Kingery 5x03

NOV 9
Defiant 61

NOV 16
Batman 70, Catwoman 39

NOV 21
Line 2x08

NOV 23
Wonder Woman 70, Green Arrow 10

NOV 25
Seminar 42

NOV 28
Genesis Avalon 25

NOV 30
Superman 83, Supergirl 55

DEC 2
Kingery 5x04

DEC 7
Defiant 62

DEC 9
Batman 71, Catwoman 40

DEC 12
Line 2x09

DEC 14
Wonder Woman 71, Green Arrow 11

DEC 19
Genesis Avalon 26

DEC 21
Superman 84, Supergirl 56

DEC 23
Kingery 5x05

JAN 4
Defiant 63

JAN 11
Batman 72, Catwoman 41

JAN 16
The Line 2x10

JAN 18
Wonder Woman 72, Green Arrow 12

JAN 20
Seminar 43

JAN 23
Genesis Avalon 27

JAN 25
Superman 85, Supergirl 57

JAN 27
Kingery 5x06

FEB 8
Defiant 64

FEB 15
Batman 73, Catwoman 42

FEB 20
The Line 2x11

FEB 22
Wonder Woman 73, Green Arrow 13

FEB 27
Genesis Avalon 28

FEB 29
Superman 86, Supergirl 58

MAR 2
Kingery 5x07

MAR 7
Defiant 65

MAR 14
Batman 74, Catwoman 43

MAR 19
The Line 2x12

MAR 21
Wonder Woman 74, Green Arrow 14

MAR 23
Seminar 44

MAR 26
Genesis Avalon 29

MAR 28
Superman 87, Supergirl 59

MAR 30
Kingery 5x08

APR 4
Defiant 66

APR 11
Batman 75, Catwoman 44

APR 16
The Line 2x13

APR 18
Wonder Woman 75, Green Arrow 15

APR 23
Genesis Avalon 30

APR 25
Superman 88, Supergirl 60

APR 27
Kingery 5x09

MAY 9
Defiant 67

MAY 16
Batman 76, Catwoman 45

MAY 21
The Line 2x14

MAY 23
Wonder Woman 76, Green Arrow 16

MAY 25
Seminar 45

MAY 28
Genesis Avalon 31

MAY 30
Superman 89, Supergirl 61

JUN 1
Kingery 5x10

JUN 6
Defiant 68

JUN 13
Batman 77, Catwoman 46

JUN 18
The Line 2x15

JUN 20
Wonder Woman 77, Green Arrow 17

JUN 25
Genesis Avalon 32

JUN 27
Superman 90, Supergirl 62

JUN 29
Kingery 5x11

JUL 4
Defiant 69

JUL 11
Batman 78, Catwoman 47

JUL 16
(Line off-month)

JUL 18
Wonder Woman 78, Green Arrow 18

JUL 20
Seminar 46

JUL 23
Genesis Avalon 33

JUL 25
Superman 91, Supergirl 63

JUL 27
Kingery 5x12

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